Book Review: What About Men?-A Feminist Answers the Question by Caitlin Moran

Journalist, novelist, a former teen-age music critic, Caitlin Moran has been writing about the female experience for years. A self-described feminist, Moran has covered all things girls and women in both her novels and books of collected essays. However, there is one question Moran has been asked by her mostly female audience. That question? “What about men?” For the longest time, Moran has put off answering the question. It wasn’t until her daughters were asking the very same question that Moran was inspired to ask “what about men?’ herself and she decided to do some homework resulting into her latest book, What About Men: A Feminist Answers the Question.

In several unique chapters, Moran covers men and various topics. These include everything from men as young boys to old age. She takes a look at the bodies of men (including their private parts), men’s clothing, the conversations amongst men, and how they view sex and porn. She also looks at the way men talk to women and friendships amongst men. She looks at men through the lens of fatherhood and how men deal with illness. And she also goes down a treacherous path of men and misogyny in the scary world of the on-line manosphere.

To find out the inner-workings of all things men, Moran first turned to her inner-circle, including her husband, Pete. Now, these men are not exactly a diverse group. Like Moran herself, they are mainly white, cis, heterosexual, middle-aged, and middle class. But you’ve got to start somewhere, right?

She asks these men about growing up, what they talk about (or don’t talk about) when they chat amongst in a men-only group, their attitudes about sex and pornography, and their opinions on everything from the clothes they wear to why they neglect their health. And she gets some very interesting answers. For instance, she finds out why men don’t talk about their penises whereas some women will wax on about their vaginas post-birth.

One frightening aspect of the world of men today, is the world of the manosphere. For the uninitiated, the manosphere (which can be found all over the internet) is a cesspool of misogynistic men who see women as servants and cum dumpsters. They are truly threatened by any woman assets herself, is educated, and lives for anything that isn’t in service of a man. Probably the most famous of these knuckle-draggers, is MMA fighter, Andrew Tate. Tate has horrifying views on women, rape, and relationships. And he’s currently under investigation for sex trafficking. However, Tate does have a huge following, especially amongst very confused Gen Z men. Moran, too, is horrified by Tate, but tries to get an inkling of why some young men might be drawn to such a divisive figure. And on a personal note, Tate isn’t exactly the tough guy he purports to be. He actually blocked me on Twitter for saying he has no chin. But let’s go further.

On the issue of men and pornography, a young man shares his tale with Moran of his addiction to porn and how it negatively affected him when it came to dating and relationships. This could be a good warning that not all porn is completely harmless. Your heart breaks for this young man, and you will be comforted that he’s on the path towards healing.

But not is all lost when it comes to men. Yes, there are horrible examples of toxic masculinity like the aforementioned Andrew Tate. Moran looks into men who are admired for positive masculinity and comes up with names like Keanu Reeves and President Barack Obama. For me, I’d like to add names like the late Paul Newman and professor Neil Shyminsky who I follow on TikTok, and always has excellent counter-arguments to the toxicity of the manosphere.

And just as women are imprisoned by what makes a true woman, men are also locked into tropes of what it makes a true man, and how both men and women need to look past these clichés to be true to oneself. At this point, we’re not really talking about the difficulties of being a man in the 21st century in a way that doesn’t bash women and feminism. These things need to change.

Now admittedly, Moran does not go in very deep in What About Men? She is not an academic or a researcher. If you’re looking for a book that goes more in depth on the topic of men, I highly recommend Susan Faludi’s Stiffed: The Betrayal of American Men. Yes, Faludi, the feminist who wrote the classic Backlash: The War Against Women. And at times, Moran can be a wee bit too snarky and UK-oriented. However, I do commend Moran for actually giving a shit about men and their issues. What About Men? isn’t a perfect book, but it is a start. And I hope it can open up a dialogue about men, what they’re going through, and how we can find understanding and empathy between the sexes.

Retro Review: The Bell Jar by Sylvia Plath

When the late Sylvia Plath’s novel The Bell Jar was released in 1963, it was considered groundbreaking. It focused on topics quite controversial just over 60 years ago, including ambition in young women in a time when women were supposed to desire only marriage and motherhood and dealing with horrifying mental health issues. Originally published under the name Victoria Lucas, Sylvia’s only novel is still considered a classic in the feminist canon. But how well does The Bell Jar hold up in 2024? I decided to read it and found out for myself.

Meet Esther Greenwood, raised in the Boston suburbs by her widowed mother, Esther is now in college, which is being funded by a wealthy local author. It is the summer of 1953, and Esther has procured an internship with the fictional women’s magazine “Ladies Day” in New York City. Though Esther’s days are filled with magazine-related activities, and her nights trying to socialize with her fellow interns, Esther feels disconnected and empty. She just can’t work up the excitement over this opportunity that most girls would give their eye teeth for. Esther is riddled with anxiety and depression. Can she shake out of this funk?

Several incidents occur during Esther’s internship that Plath goes into great detail to describe. Esther talks about the various assignments for “Ladies Day” the interns get to work on as well as the nice swag they all receive (not to mention the horrid food poisoning everyone gets at a luncheon). She also describes Esther trying to befriend her fellow interns like the flirtatious and sociable Doreen and the very pious and naïve Betsy, who Esther is more drawn towards. Esther also reminisces about the various scrapes she gets into when it comes to men, like when a local New York City radio host tries to seduce her, but later he decides to date Doreen. And towards the end of her internship, Esther is nearly raped at a country club party she attends with Doreen. Esther escapes but this causes her to throw out her new clothing and sends her further into despair.

After the internship ends, Esther returns to her childhood home. During this time, Esther is absolutely crushed when another scholarship opportunity, a writing course featuring a well-known author, does not come through. She is not accepted into this prestigious program. Esther tries to fill her time before school resumes in the fall by writing a novel. Yet, she thinks she lacks the life experience to write a proper book. And she also questions what her life will be like after she graduates from college. Up till then, Esther’s whole life has revolved around academics. Will she have a career or will so end up “just a wife and mother” as the fifties often dictated to women back then.

Esther continues to fall into deeper and deeper depression, not being able to sleep or attend to basic activities. She does see a psychiatrist for a while (whom she doesn’t exactly warm up to because she thinks he’s too handsome). And when this psychiatrist suggest electroconvulsive therapy, better known as ECT. The ECT doesn’t work, and Esther makes some half-hearted suicide attempt.

However, she does nearly die after she crawls into a cellar and takes far too many sleeping pills. When her mother can’t find Esther, it is assumed she has been kidnapped and possibly murdered, which the media takes note of. Once discovered, Esther spends time at several mental hospitals, the last one paid for by her college benefactor, the writer who is named Philomena Guinea. It is at this facility, Esther meets Dr. Nolan, a woman therapist, receives questionable treatments including insulin shots, and more ECT. She also meets another patient named Joan, and it is implied Joan is a lesbian who is attracted to Esther. Esther is not fond of Joan at all.

Esther also muses about her old boyfriend, Buddy. Buddy thinks the two might get married someday, but Esther won’t entertain the idea. Esther thinks Buddy is a hypocrite because he lost his virginity to another woman instead of staying pure for Esther. It is also found out that Joan also dated buddy (even though she may be heavily closeted).

During her sessions with Dr. Nolan, Esther bemoans the life women back then must lead and she wants to have the same freedom men have, which includes everything from having sex (Dr. Nolan suggest Esther be fitted with a diaphragm), and to have a full life outside of total domesticity. And as the The Bell Jar ends, Buddy visits Esther and wonders if he’s the cause of both Esther and Joan going crazy and ended up hospitalized. Perhaps he did have a part in it, but who cares? Esther is relieved when Buddy decides to end their non-engagement. Now she is free to really live.

While reading The Bell Jar, I could understand why it was so groundbreaking when it was published in 1963. It portrayed a young woman who had ambition beyond getting married and having oodles of children. It’s wonderful Esther is smart and has goals her life that don’t necessarily include marriage and motherhood solely. And as someone who has dealt with mental health issues, I appreciate a novel that spoke of one woman’s struggle and her fight to remedy herself.

However, in 2024, The Bell Jar just cuts different. For one thing, there is a lot of racism in this book. Esther talks about the ugliness of Peruvians and Aztecs. She also keeps referring to a Black orderly at the mental hospital as the Negro. He is never given a name or just referred to his profession as an orderly. Plus, I found Esther to be rather insufferable to the other women in the book whether it was her mother (who struggled greatly to raise her without Esther’s father) or looking down on a woman in the neighborhood who is raising a large brood of children.

Still, I do think The Bell Jar is an important work. Just keep in mind how things have changed since the fifties when it takes place, and in 1963, when it was published. And be grateful things have changed for women in the past sixty years…or have they? Hmm.

Book Review: By Her Own Design-A Novel of Ann Lowe, Fashion Designer to the Social Register by Piper Huguley

There is a reason why so many fashion shows end with a model wearing a wedding dress. Wedding dresses allow designers to delve deeper into using their artistry, creativity, and finely-honed technique into creating something truly beautiful and aspirational.

Whether happily single or someone who got married wearing a Juicy tracksuit, we can’t help but be drawn to wedding dresses. Many wedding dresses worn by famous people are completely iconic. There was Princess Diana’s puff pastry of wedding dress, which defined the over-the-top excess of the 1980s. And Caroline Bessette Kennedy’s spare, figure-hugging slip dress spoke of the 1990s minimalism style. And then there is my favorite famous wedding dress, the one Grace Kelly wore when she went from Hollywood royalty to actual royalty and became Princess Grace of Monaco.

One iconic wedding dress is the one worn by Jacqueline Bouvier when she married then Senator John Kennedy. Though the dress is easily recognizable even to people who are not followers of fashion, the designer of the dress isn’t as well-known. The designer was Ann Lowe, a black woman. Lowe never quite got her due from the press at the time of Mr. and Mrs. Kennedy’s nuptial’s. One publication refused to name her, and dismissively called her a “colored dressmaker.” Ann Lowe deserves so much more. And with Piper Huguley’s latest book on Ann Lowe’s life, By Her Own Design: A Novel of Ann Lowe, Fashion Designer to the Social Register, this talented woman is finally getting her flowers.

As By Her Own Design begins, Ann Lowe is facing quite the challenge. A pipe has burst in her New York studio. Jaqueline Bouvier’s dress has been ruined just as she’s about to become Mrs. John Kennedy. Many of the bridesmaids’ dresses have also been damaged. Though completely horrified, Lowe has faced many challenges. She knows she can remake the dresses, and enlists her beloved sister, Sallie, and her friends from a local church to help her repair and make the dresses over in time for the wedding. Lowe will not be deterred. As she begins her work, Lowe muses on her life, and how she got to this point in time.

Ann Lowe grew up in the Jim Crow South. She was raised by her loving mother and grandmother (her father was never really in the picture). Both of these ladies worked as seamstresses. They mentored and taught young Ann on sewing skills and design techniques. But Ann had a God-given talent that went beyond hemming a dress or sewing a button on a blouse. Ann was a creative visionary from the start. She was designing beautifully intricate fabric flowers when she was still in knee-socks.

Despite being smart, industrious, and artistic, Lowe never went far in getting a formal education. She never went to high school. Instead, she married a much older man when she was only twelve (only twelve, yikes), and had her beloved son, Arthur, when she was only sixteen. The marriage was not a happy one. Lowe’s husband was very abusive, and fortunately she was able to escape and get a divorce. She did marry again to a much more suitably aged man when she was a bit older.

Lowe never gave up her dream of designer and creating fashion, and always worked as a seamstress. Her work and talent got noticed, and soon she was designing clothing for upper crust women. She moved to Tampa for a while, where she was quite successful. A very generous benefactor believed so much in Lowe and paid for Lowe to be educated about fashion design at a school in New York City. This was a wonderful opportunity to learn and make connections in the the Big Apple’s fashion industry, but sadly, Lowe faced the same bigotry and racism she dealt with in the South. She was even segregated into a separate room from the white students during the lessons. Still, Lowe was one strong dame, and she made the most of what could have been a very negative situation.

Lowe decided to make her home base and her livelihood in New York. She beautiful designs caught the fancy of the very wealthy and elite becoming a very in demand couturier for the ladies of the Social Register. Even Hollywood movie stars wanted to wear Lowe’s designs. Olivia de Havilland wore one of Lowe’s gorgeous gowns when she accepted and Oscar for her role in “To Each His Own.”

Lowe was soon commissioned to make a dress for one young woman’s debut. That young woman was Jacqueline Bouvier. Lowe grew very fond of Jacqueline, and the two grew close. So it wasn’t too much of a surprise when Jacqueline asked Lowe to design and make her wedding dress. And though Lowe faced some challenges in the end, Jacqueline married Senator Kennedy looking stunning in Lowe’s beautiful creation.

I thoroughly enjoyed reading By Her Own Design. I learned so much about the talented Ann Lowe and why she’s so important in the world of American fashion, and why it’s so upsetting her work has been ignored for far too long. Huguley’s dialogue and story-telling are top notch, and she really gets into the spirit of Anne Lowe (and she brings Jackie Kennedy to life). She makes you cheer for Lowe’s success, and at the same time doesn’t sugar coat the obstacles and tragedies Lowe faced-racism, sexism, domestic abuse, the loss of her loved ones, money troubles, and health woes.

I want more people to know about Ann Lowe and her fashion legacy. Perhaps Netflix could do a movie or limited series on Lowe’s life. I believe By Her Own Design is the perfect springboard to make this happen.

Author! Author!: An Interview with Suzette Mullen

A contributor to the New York Times “Modern Love” series and a writing coach, Suzette Mullen seemed to have it all. She was married to a successful man, and her adult sons were happy and thriving. She even had a vacation home! But something under the surface was amiss in Suzette’s life. She soon realized she was deeply in love with her best friend-a women-for two decades. But she wondered if she acted on those feelings how would they tear up the life she had known so well.

Suzette shares her story about coming out and being her true self in her upcoming memoir “The Only Way Through is Out” published by University of Wisconsin Press, and will be released on February 13, 2024.

Suzette was kind enough to grant me an interview where she discusses her book, her life, and helping others embrace their true selves. Enjoy!

Many people realize from a young age they are gay, but you didn’t realize this until you were older. How did you deal with coming out at mid-life and how did it affect your life? 

This is exactly the story I share in my memoir THE ONLY WAY THROUGH IT OUT! Coming out at any age has its own set of challenges. My coming-out challenge was that I had an entire established identity and life rooted in the heterosexual paradigm—a husband, two young adult children, colleagues, friends, and extended family who knew me as straight. The cost of coming out, of living authentically, was “blowing up” that life and potentially hurting people I loved. I had to decide whether I had the stomach and courage to leave behind the safe, comfortable life I knew to step into an unknown future. Life on the other side of that very tough decision feels very different, personally and professionally. Change was—and is—hard and life-giving. Finally stepping into the fullness of who I am feels incredible. I may have thrown a bomb into my life and my family’s ecosystem, but nothing was destroyed. It all just looks differently now. Everyone appears to be thriving in their own way.

What emotions did you go through? What fears did you have? 

So many emotions and fears! First I had to learn to trust what I was hearing and feeling inside myself. Was I really gay or was I simply experiencing a one-off attraction to a female friend? At the time I was questioning my sexuality, I hadn’t even kissed a woman. Seriously, who risks everything for a life they’ve been living only in their head? Especially someone like me who had been conditioned to play it safe. I also felt a sense of relief once I came to terms with my sexual identity. So much of my past suddenly made sense, as if the scales had fallen from my eyes. But despite that clarity, I still wrestled with fear: Even if coming out and leaving my marriage was the “right thing” to do, could I actually do it? Could I do life as a single woman—as a lesbian!—and start over in my mid-fifties? I had been with my husband since I was twenty-two. And what about the people who mattered the most to me: my sons, my sister, my mom, my close friends. Would I lose them? For months, I struggled with these questions and fears. I sought advice from friends, worked with a therapist. But finally, I had to decide whose voice to listen to … and the answer was my own. 

How did you navigate going through a divorce at mid-life and starting over? 

First, I want to acknowledge that I enjoyed significant privilege in my starting-over journey: financial security, marketable job skills, and a generally supportive ex-husband. I don’t want to minimize the challenges of divorce and starting over when you don’t have these advantages. But what I can speak to are the fears and doubts many people have as they contemplate starting over—at any age. Somehow as a society we have adopted the mindset that once you’ve made your bed, you have to lie in it, and as a consequence, many of us stay stuck in unsatisfying personal and professional lives. You don’t have to stay stuck. You don’t have to lie in that bed. You are more capable than you think. People called me brave for starting over in my mid-fifties. But I didn’t feel brave. However, ultimately, I didn’t give over my agency to fear and doubt. I didn’t let fear stop me from taking the first step and the next and the next. And on those days when fear and doubt threatened to overcome me, I called out for help and the universe responded. Friends took me in. Unexpected possibilities opened up. Synchronicities unfolded. It turns out I did have what I needed to start over. 

How did your career as a writing coach help you write your memoir? What advice would you give to others wanting to write a memoir? 

As a writer, I saw how valuable it was to have someone by my side to provide feedback and accountability, and to support me when the doubt demons inevitably whispered in my ear. As a writing and book coach, I went through a rigorous training process to further develop my understanding of craft and storytelling, as well as my knowledge of the publishing landscape. This training, as well as my ongoing work with writers, gave me the tools I needed to write a book I am proud of and land a book deal with a publisher who valued my story. The advice I’d give to people wanting to write a memoir comes from my own writing journey:

• Writing a memoir is an act of bravery. It’s vulnerable and scary. Make sure you take care of yourself and have a support system in place as you dig into your past, especially if you are writing about trauma.
• Be patient. Meaningful memoirs aren’t written in thirty days, despite what you might have heard on the internet!
• Your story is not the things that happened to you; it’s the meaning you make of those events. Keep digging until you discover the real story you were meant to tell.
• Get support. No one writes a book alone. Support can come in many forms: a writing partner, a writing group, or a writing coach. 
• Finally, your story matters. I hope you’ll write it. Someone out there needs to read it.

How do you hope your experience and your memoir will inspire and help others in the LGBTQ+ community? 

Every day I see people in online LGBTQ+ support groups who can’t imagine how they are going to come out or if they have already come out, how they will possibly get through the messy middle. I hope my memoir will help these folx feel seen, understood, and less alone, and feel hope that it’s possible to get to the other side of the struggle and create a thriving life. I hope my story will inspire them to find the courage to live their “one wild and precious life,”  as poet Mary Oliver so eloquently stated. To not waste their one wild and precious life living a life that isn’t truly their own. Yes, there is a cost to authenticity, and the cost is worth it. Finally, I’m proof positive that it’s never too late for a new beginning. It’s never too late to live authentically and write a new story for yourself.

Any future projects you want to tell us about? 

Yes! I’ve launched a mentorship and community exclusively for LGBTQ+ memoir and nonfiction writers called WRITE YOURSELF OUT where writers find accountability, professional support in a judgment-free zone, and a step-by-step process that meets them wherever they are in the journey from idea to publication. I’m loving the energy of this community and the growth I’m seeing in my writers, and I invite anyone who might be interested in joining the mentorship to please reach out. I’m also at the early stages of outlining my next book, which will be a memoir about how to hold grief and joy together after a big leap. What I’ve discovered is that when you are living authentically in your personal life it spills over to your professional life. That certainly has been the case for me. I’m thriving professionally in my sixties more than in any other decade of my life. Another reminder that it’s never too late!

Book Review: A Beautiful Rival-A Novel of Helena Rubinstein and Elizabeth Arden by Gill Paul

It’s no secret that the beauty business is a huge and thriving industry. We pay $100 for the perfect salon blowout. We spend time at spas getting the best facials and massages. We spend a king’s ransom at places like Sephora and Ulta. And getting a mani/pedi is as vital as food, air, and water to some people.

Yet, just a little over a hundred year ago, women focusing on their beauty, getting massages, facials, and other spa and salon treatments seemed overly vain and self-indulgent. And as for cosmetics, well, only ladies of ill-repute rouged their cheeks and painted their lips scarlet.

Two women changed that type of thinking. Elizabeth Arden and Helena Rubinstein believed beauty was every women’s birthright and a worthy goal to obtain, and little bit of war paint never hurt anyone. Both women were from very humble backgrounds who rose to great heights and grabbed the brass ring of success. They did this through hard work, dedication, clever marketing, and yes, quite a bit of chicanery.

Despite their huge success and being women at time when women were only supposed to fulfill the domestic sphere, Arden and Rubinstein were fierce rivals and bitter enemies. And all of this is fully encapsulated in Gill Paul’s latest book A Beautiful Rival: A Novel of Helena Rubinstein and Elizabeth Arden.

A Beautiful Rival begins in 1915. Elizabeth Arden and her salons dot the New York City landscape and are very popular with high society. Her line of cosmetics and face creams are also quite successful. Women are realizing that focusing one one’s beauty doesn’t make someone shallow. In fact, it is quite necessary in capturing and maintaining a significant other. And wearing lipstick doesn’t mean you’re a dreadful whore. Painting your lips crimson, pink, or coral might even perk you up a bit.

Arden is relishing her success when an interloper arrives on the scene-Helena Rubinstein. Rubinstein has already established successful salons in Australia, London, and Paris. Now she wants to set up shop in the United States, and New York City is the perfect place.

Rubinstein turns out to be a daunting adversary for Arden. There are rumors that Rubinstein was a doctor and her products are “scientifically formulated,” which may give her a bit more credibility that Arden might lack. Rubinstein also becomes quite buddy-buddy with New York City’s smart set. Arden is not happy about this.

Thus begins the rivalry between Arden and Rubinstein. They were determined to out-do each other, and took to great lengths to screw over each other. They did this anyway they could. They send out spies, they stole employees, and spun outrageous stories about themselves and each other for the press.

But as much as Arden and Rubinstein hated each other, they did share some traits and qualities. Both were shrewd, smart, and savvy. Both of them came from less than desirable backgrounds. Though Arden managed to an old-money WASP aesthetic, she actually grew up poor on a farm in Canada. Helen Rubinstein grew up in Poland and was pretty much estranged from her father after she fellow in love with a Gentile. Both women were unlucky in love, and Rubinstein was hardly a devoted mother to her two boys. And with Arden’s disdain of having sex with her first husband, I wondered if she might be a lesbian or asexual.

A Beautiful Rival is told from the point of view of both Arden and Rubinstein in alternating chapters. Not only does this book examine the foibles, triumphs, both professionally and personally these two formidable women dealt with, it also uses history as a backdrop, including the Great Depression and World War II, and how both of these things affected both Arden and Rubinstein.

Though at times Paul had a habit of telling instead of showing throughout A Beautiful Rival, I still found the story of Elizabeth Arden and Helena Rubinstein quite fascinating. Today it is not uncommon to see successful women in various industries, but women like Arden and Rubinstein was quite uncommon a century ago. A Beautiful Rival gives us a glimpse of what it was like for women to succeed in the cutthroat world of business. Beauty can be quite ugly.

Book Review: Mrs. Everything by Jennifer Weiner

In Jennifer Weiners expansive novel Mrs. Everything, she tells the intricate tale of two very different sisters and their lives change, diverge, and merge together from the staid and sober 1950s through the upheaval of the 1960s and 1970s and onto the modern day.

Meet the Kaufman sisters, Josette (Jo) and Elizabeth (Bethie). Despite being related, Joe and Bethie couldn’t be any more dissimilar. Jo is a tomboy who loves to tell wild tales and dreams of travel and adventure. Bethie is pretty and charming. She loves singing and acting in both school and temple productions, and seems destined to be the proper wife and mother.

But as they grow older and come of age, Jo and Bethie’s lives take completely contradictory paths. Jo gets married, has three girls, and tries to be the proper and contented suburban housewife. Meanwhile, Bethie goes off the rails, gets involved in the counterculture, and ends up living in a commune.

Jo and Bethie’s story begins in the 1950s where they are being raised by their widowed mother in Detroit. Both have deep, dark secrets. Jo is a lesbian and she is trying desperately to keep this hidden. And Bethie is being molested by a very sleazy uncle.

It’s when both girls go to college their lives take unexpected twists and turns. Jo has an affair with the love of her life, Shelly, who later breaks Jo’s heart when she marries a man. Jo gets involved in the civil rights movement and other social issues. After graduation, she wants to be a world traveler. Bethie, on the other hand, finds flirting and having a boyfriend more important than studying and getting good grades. And she becomes quite the campus party girl.

But tragedy hits Bethie when she is brutally raped and ends up pregnant. Jo, who is now traveling overseas, cuts her vacation short, comes back to the States, and helps Bethie procure an illegal abortion. This becomes a secret that must remain only with the sisters.

As the 1960s turn into the 1970s, the Kaufman sisters’ live take on more disparate turns. Despite being gay, Jo marries a man, has three daughters, and struggles to find contentment in suburbia. Bethie is fully entrenched in the counterculture, belongs to a commune, but finds success selling homemade jam.

The go-go yuppie 1980s arrive, and both Jo and Bethie discover they have an entrepreneurial spirit. Jo has started teaching the neighborhood ladies fitness routines and aerobics. Bethie goes from the counterculture to boss babe when her jam making business takes off.

Jo and Bethie’s personal lives also go through some changes. Jo finds out her husband is cheating on her with one of her (former) best friends, and goes through a very messy divorce. And Bethie finally settles down with an old high school friend. However, she and her husband do face some hostility due to Bethie being white and Jewish, and her husband being Black and the son of a preacher.

As the 1990s and the 21st century come around, the Kaufman sisters are still facing challenges but all come to grips with their lives and the women they have become. Jo may even find love again with someone from her past, and Bethie’s marriage is in it for the long haul.

For the most part, I appreciated how Weiner captured the changing lives of women from the 1950s to the modern age through the lives of Jo and Bethie. However, I do have one quibble. The section that takes place when both sisters are at college was really off. I wasn’t around in 1962, but I hardly think boys back then were wearing their hair past their shoulders, girls were adorned in hippie-like outfits, people were protesting the Vietnam War, and hard drugs ran rampant. These scenarios seemed more out of the late 1960s, than the early 1960s. This was a glaring misstep on Weiner’s part.

Still, Mrs. Everything is a very engrossing read with two very fascinating characters.