Retro Review: The Bell Jar by Sylvia Plath

When the late Sylvia Plath’s novel The Bell Jar was released in 1963, it was considered groundbreaking. It focused on topics quite controversial just over 60 years ago, including ambition in young women in a time when women were supposed to desire only marriage and motherhood and dealing with horrifying mental health issues. Originally published under the name Victoria Lucas, Sylvia’s only novel is still considered a classic in the feminist canon. But how well does The Bell Jar hold up in 2024? I decided to read it and found out for myself.

Meet Esther Greenwood, raised in the Boston suburbs by her widowed mother, Esther is now in college, which is being funded by a wealthy local author. It is the summer of 1953, and Esther has procured an internship with the fictional women’s magazine “Ladies Day” in New York City. Though Esther’s days are filled with magazine-related activities, and her nights trying to socialize with her fellow interns, Esther feels disconnected and empty. She just can’t work up the excitement over this opportunity that most girls would give their eye teeth for. Esther is riddled with anxiety and depression. Can she shake out of this funk?

Several incidents occur during Esther’s internship that Plath goes into great detail to describe. Esther talks about the various assignments for “Ladies Day” the interns get to work on as well as the nice swag they all receive (not to mention the horrid food poisoning everyone gets at a luncheon). She also describes Esther trying to befriend her fellow interns like the flirtatious and sociable Doreen and the very pious and naïve Betsy, who Esther is more drawn towards. Esther also reminisces about the various scrapes she gets into when it comes to men, like when a local New York City radio host tries to seduce her, but later he decides to date Doreen. And towards the end of her internship, Esther is nearly raped at a country club party she attends with Doreen. Esther escapes but this causes her to throw out her new clothing and sends her further into despair.

After the internship ends, Esther returns to her childhood home. During this time, Esther is absolutely crushed when another scholarship opportunity, a writing course featuring a well-known author, does not come through. She is not accepted into this prestigious program. Esther tries to fill her time before school resumes in the fall by writing a novel. Yet, she thinks she lacks the life experience to write a proper book. And she also questions what her life will be like after she graduates from college. Up till then, Esther’s whole life has revolved around academics. Will she have a career or will so end up “just a wife and mother” as the fifties often dictated to women back then.

Esther continues to fall into deeper and deeper depression, not being able to sleep or attend to basic activities. She does see a psychiatrist for a while (whom she doesn’t exactly warm up to because she thinks he’s too handsome). And when this psychiatrist suggest electroconvulsive therapy, better known as ECT. The ECT doesn’t work, and Esther makes some half-hearted suicide attempt.

However, she does nearly die after she crawls into a cellar and takes far too many sleeping pills. When her mother can’t find Esther, it is assumed she has been kidnapped and possibly murdered, which the media takes note of. Once discovered, Esther spends time at several mental hospitals, the last one paid for by her college benefactor, the writer who is named Philomena Guinea. It is at this facility, Esther meets Dr. Nolan, a woman therapist, receives questionable treatments including insulin shots, and more ECT. She also meets another patient named Joan, and it is implied Joan is a lesbian who is attracted to Esther. Esther is not fond of Joan at all.

Esther also muses about her old boyfriend, Buddy. Buddy thinks the two might get married someday, but Esther won’t entertain the idea. Esther thinks Buddy is a hypocrite because he lost his virginity to another woman instead of staying pure for Esther. It is also found out that Joan also dated buddy (even though she may be heavily closeted).

During her sessions with Dr. Nolan, Esther bemoans the life women back then must lead and she wants to have the same freedom men have, which includes everything from having sex (Dr. Nolan suggest Esther be fitted with a diaphragm), and to have a full life outside of total domesticity. And as the The Bell Jar ends, Buddy visits Esther and wonders if he’s the cause of both Esther and Joan going crazy and ended up hospitalized. Perhaps he did have a part in it, but who cares? Esther is relieved when Buddy decides to end their non-engagement. Now she is free to really live.

While reading The Bell Jar, I could understand why it was so groundbreaking when it was published in 1963. It portrayed a young woman who had ambition beyond getting married and having oodles of children. It’s wonderful Esther is smart and has goals her life that don’t necessarily include marriage and motherhood solely. And as someone who has dealt with mental health issues, I appreciate a novel that spoke of one woman’s struggle and her fight to remedy herself.

However, in 2024, The Bell Jar just cuts different. For one thing, there is a lot of racism in this book. Esther talks about the ugliness of Peruvians and Aztecs. She also keeps referring to a Black orderly at the mental hospital as the Negro. He is never given a name or just referred to his profession as an orderly. Plus, I found Esther to be rather insufferable to the other women in the book whether it was her mother (who struggled greatly to raise her without Esther’s father) or looking down on a woman in the neighborhood who is raising a large brood of children.

Still, I do think The Bell Jar is an important work. Just keep in mind how things have changed since the fifties when it takes place, and in 1963, when it was published. And be grateful things have changed for women in the past sixty years…or have they? Hmm.

Retro Review: The Best of Everything by Rona Jaffe

Before there was such chick lit classics like Valley of the Dolls, Bridget Jones Diary, and Sex and the City, there was Rona Jaffe’s iconic The Best of Everything. Several years ago, I did a retro review of Ms. Jaffe’s book Class Reunion. I decided to revisit the book that launched Jaffe’s writing career back in 1958.

The Best of Everything focuses mostly on several young women living and loving in New York City. They all work in some capacity at Fabian Publishing. Caroline Bender (who might be considered the main character) is a recent graduate from Radcliffe and has just had her heart broken because her fiancé has married another woman. April Morrison is naïve lass hailing from Colorado. Gregg Adams (yes, a woman named Gregg) is an aspiring actress. And Barbara Lamont is a struggling single mother trying to make it after a divorce.

The Best of Everything takes place in the early 1950s. The career women are all career gals, and the men are all cads. The women in the typing pool all try to evade the advances of lecherous Fabian executive Mr. Shalimar. And Caroline especially has to deal with the bitchy and imperious older female editor Amanda Farrow. Remember this is a time where women were just supposed to deal with sexual harassment (long before the #MeToo movement), and there was no idea of a sisterhood in the workplace.

Caroline especially has ambitions that go beyond the typing pool. She starts reading stories sent into Fabian and shows a great deal of potential to be a top notch editor. But Amanda often tries to put a damper on Caroline’s aspirations, and not surprisingly, Amanda also has trouble keeping secretaries. And though Barbara struggles as a single mother, she shows promise as a writer, and is writing columns for a women’s magazine.

But it’s love and romance that are the women’s true calling. Remember, this is the fifties, and a woman’s highest calling with being a wife and a mother. The ladies make there way through the thorny world of dating. Caroline pines for her former fiancé. And even though there are other available men to date, Caroline jumps at the chance when her former fiancé comes back into her life. Is he going to leave his wife for her or is Caroline just going to be some hookup in the big city?

April naively thinks the society man she is dating will marry her when she announces her pregnancy, but instead he takes her to a dodgy abortionist to get rid of it. Barbara desires to get married again, but is leery after going through a divorce. Won’t men think she’s a fallen woman because she’s a divorcee and a single mom? And Gregg becomes obsessed with a producer and begins to stalk him. It doesn’t end very well for her. It seems only the women’s Fabian co-worker, Mary Agnes, has grabbed the the brass ring of true womanhood. She gets married and soon after is blooming with child.

And as The Best of Everything commences, there are no specific happy ending and things aren’t tidily wrapped up in a bow. It leaves you guessing. Will these ladies find love and success in the workplace or is “having it all” a fairy tale? How will these ladies navigate the 1960s? How will they react to the sexual revolution, civil rights, the women’s lib movement, and the Vietnam war? We don’t find out, but we can speculate.

Published 65 years ago, The Best of Everything was quite shocking and risqué. It featured a cast of women characters who desired careers at a time when women were only supposed to desire husbands, babies, and domesticity in the suburbs. Jaffe was brutally honest in her depiction of women in a particular time in big city America. A lot of things have changed since the early fifties for women, and sadly, a lot of people are trying to shove us back to that time. The Best of Everything is a primer on how women are fully-dimensional human beings with desires in the boardroom and the bedroom. The Best of Everything is both timeless and timely.

Book Review: Mrs. Everything by Jennifer Weiner

In Jennifer Weiners expansive novel Mrs. Everything, she tells the intricate tale of two very different sisters and their lives change, diverge, and merge together from the staid and sober 1950s through the upheaval of the 1960s and 1970s and onto the modern day.

Meet the Kaufman sisters, Josette (Jo) and Elizabeth (Bethie). Despite being related, Joe and Bethie couldn’t be any more dissimilar. Jo is a tomboy who loves to tell wild tales and dreams of travel and adventure. Bethie is pretty and charming. She loves singing and acting in both school and temple productions, and seems destined to be the proper wife and mother.

But as they grow older and come of age, Jo and Bethie’s lives take completely contradictory paths. Jo gets married, has three girls, and tries to be the proper and contented suburban housewife. Meanwhile, Bethie goes off the rails, gets involved in the counterculture, and ends up living in a commune.

Jo and Bethie’s story begins in the 1950s where they are being raised by their widowed mother in Detroit. Both have deep, dark secrets. Jo is a lesbian and she is trying desperately to keep this hidden. And Bethie is being molested by a very sleazy uncle.

It’s when both girls go to college their lives take unexpected twists and turns. Jo has an affair with the love of her life, Shelly, who later breaks Jo’s heart when she marries a man. Jo gets involved in the civil rights movement and other social issues. After graduation, she wants to be a world traveler. Bethie, on the other hand, finds flirting and having a boyfriend more important than studying and getting good grades. And she becomes quite the campus party girl.

But tragedy hits Bethie when she is brutally raped and ends up pregnant. Jo, who is now traveling overseas, cuts her vacation short, comes back to the States, and helps Bethie procure an illegal abortion. This becomes a secret that must remain only with the sisters.

As the 1960s turn into the 1970s, the Kaufman sisters’ live take on more disparate turns. Despite being gay, Jo marries a man, has three daughters, and struggles to find contentment in suburbia. Bethie is fully entrenched in the counterculture, belongs to a commune, but finds success selling homemade jam.

The go-go yuppie 1980s arrive, and both Jo and Bethie discover they have an entrepreneurial spirit. Jo has started teaching the neighborhood ladies fitness routines and aerobics. Bethie goes from the counterculture to boss babe when her jam making business takes off.

Jo and Bethie’s personal lives also go through some changes. Jo finds out her husband is cheating on her with one of her (former) best friends, and goes through a very messy divorce. And Bethie finally settles down with an old high school friend. However, she and her husband do face some hostility due to Bethie being white and Jewish, and her husband being Black and the son of a preacher.

As the 1990s and the 21st century come around, the Kaufman sisters are still facing challenges but all come to grips with their lives and the women they have become. Jo may even find love again with someone from her past, and Bethie’s marriage is in it for the long haul.

For the most part, I appreciated how Weiner captured the changing lives of women from the 1950s to the modern age through the lives of Jo and Bethie. However, I do have one quibble. The section that takes place when both sisters are at college was really off. I wasn’t around in 1962, but I hardly think boys back then were wearing their hair past their shoulders, girls were adorned in hippie-like outfits, people were protesting the Vietnam War, and hard drugs ran rampant. These scenarios seemed more out of the late 1960s, than the early 1960s. This was a glaring misstep on Weiner’s part.

Still, Mrs. Everything is a very engrossing read with two very fascinating characters.

Retro Review: Memoirs of an Ex-Prom Queen by Alix Kates Shulman

When Alix Kates Shulman’s 1972 novel came out it was considered shocking and groundbreaking. It covered topics women coming of age in the mid-20th century weren’t supposed to talk about, let alone experience. These topics included premarital sex, adultery, abortion, and divorce. Though shocking over 50 years ago, Memoirs of an Ex-Prom Queen is thought in some circles to be a feminist classic. Intrigued, I decided to read Memoirs of an Ex-Prom Queen, and try to figure out why it’s so cherished among some readers.

Meet Sasha Davis. She is coming of age in Ohio during the 1950s and 1960s. She growing up in Ohio, and lives a very comfortable middle class suburb, and is beloved by her parents. For young Sasha, being beautiful and attracting a man is of utmost importance. Fortunately, she’s pretty and popular. She is at no loss finding suitors, and when she is crowned queen at the dance, Sasha feels she’s reached the the highest of heights.

After high school graduation, Sasha goes to college. Having lost her virginity to a high school boyfriend, Sasha has her fair share of lovers, including a much older and married professor. There are times Sasha acts as if the professor’s wife is a mere nuisance, not the one who is actually being cheated on.

Sasha marries her first husband, but marriage does not fulfill her in the way she wants and she cheats on him continuously. After their divorce, she marries once again, and on the surface things look great, especially after Sasha has two daughters and tries to play the contented housewife. But looks can be deceiving, and despite having a loving new husband and two healthy and happy little girls, you get the idea that something is amiss in Sasha’s life. And you wonder if this marriage will also end up in divorce, especially when Sasha’s best friend from college, Roxanne, leaves her husband (they “had” to get married because Roxanne was pregnant and it was still a time of shotgun weddings and legal abortions).

Sasha is no dummy. She’s educated and curious, and fortunately lives in New York City where she has access to museums, libraries and other intellectual pursuits. Still, being beautiful and having a man is of utmost importance to her, no matter how poorly some guy may treat her or how less than enthused she was by a lover.

For the most part, I liked Memoirs of an Ex-Prom Queen. Kates Shulman is a very detailed writer of a time I only know from history books and binge watching “Mad Man.” Kates Shulman is quite thorough of a time when women were only supposed to aspire to be devoted wives and mothers in pursuit of that perfect pot roast recipe. Things like divorce, pre-marital sex, adultery, STDs, and back alley abortions were talked about in hushed tones if at all. But all of these things are covered thoroughly in Memoirs of an Ex-Prom Queen. And though Sasha is quite the flawed protagonist and doesn’t seem to show a lot of growth from her teen years to her thirties, you can understand why this book was so damn shocking when it was released just over 50 years ago. Though I don’t think Memoirs of an Ex-Prom Queen is the feminist achievement some people have claimed it to be, I do think it’s an important book that captures a zeitgeist of some women of that time period.