I went nuts yesterday taking photos of my handmade jewelry and uploading them to my new Instagram account. Here are some pictures.
I went nuts yesterday taking photos of my handmade jewelry and uploading them to my new Instagram account. Here are some pictures.
“Leadership today is about unlearning management and relearning being human.” – Javier Pladevall, CEO of Volkswagen Audi Retail
You know I like a book when I mark it up with post-its, write notes in the margins, highlight certain passages and nod my head along like one of those bobble-head figurines. Which is exactly what I did while reading Dr. Kathleen E. Allen’s fascinating, timely and revolutionary’s book Leading from the Roots: Nature-Inspired Leadership Lessons for Today’s World.
This book implores organizational leaders (and pretty much anyone else with a stake in the workplace) to look beyond the confines of the physical spaces where we toil to nature and how it can help us and our companies thrive.
Leading from the Roots is divided into 11 well-researched, and finely-written chapters on concepts like cooperation, diversity, lack of waste, curbing excess, the power of limits and so much more.
Each chapter gives ample evidence on how nature can help worker’s productivity and commitment to their jobs and how simple it is to work these practices into the workplace that won’t break the bank, take up too much time, or distract us from our tasks at hand. Dr. Allen provides ample evidence through both her extensive end notes and bibliography. And each chapter concludes with a summary of the chapter’s main focus and points to ponder and discuss.
Simply put, Leading from the Roots inspired me. Dr. Allen’s lessons are doable, practical and very audience-friendly. It’s ideal for everyone-managers, workers, students and grads, religious leaders, politicians, activists, teachers, creative types, social workers, medical personal, entrepreneurs, and so on.
Leading from the Roots is a great addition to my book shelf. I highly suggest you add it to your book shelf.
Note: Over 10 years ago I reviewed this book for a U2 fansite. In honor of Poetry month, I decided to dust it off, make a few revisions, and publish it here at The Book Self.
U2 fans are not your typical rock and roll fans. Sure, they buy the CDs, download their music, and go to the concerts, but being a U2 fan is so much more than that. U2 fans are motivated. They are inspired to open their minds, learn new things, and get involved in causes bigger than themselves. However, they are also inspired to use own creativity. This is evident in a slim, yet powerful book of poetry and short stories called The Little Red Book of Poet-ee-tree: Words from the Heart.
The Little Red Book of Poe-ee-tree is a volume containing heartfelt prose by a collection of U2 fans throughout the globe. Their love of U2’s music and the written word lead these fans to The Heart. The Heart was an Internet poetry forum where writers cultivated their writing skills, shared their work with others, and got their creative juices flowing. Sadly, it shut down in 2003, but fortunately for the Heart community, U2 fans, and lovers of good writing, the works created for the Heart are not lost forever. They are compiled into The Little Red Book of Poe-ee-tree.
All the royalties of The Little Red Book of Poe-ee-tree went to the African Well Fund, a charity founded in 2002 by a group of U2 fans to provide a clean water sources to many African communities. The African Well Fund has built and supplied clean water and sanitation projects in Uganda, Angola and Zimbabwe. The Little Red Book of Poe-ee-tree was just one part of the African Well Fund’s comprehensive vision to help others.
The poets published in The Little Red Book of Poe-ee-tree write about love and loss, heartbreak and joy. They write with clear-eyed optimism and downcast despair. These poems take us on a journey of both the writers’ hearts and souls, and our individual interpretations to their work. Some poems a mere few lines, whereas others nearly tell a story.
Jennifer’s startling “Modern Day Warfare” uses the frightening images of mustard-gas lies and biological-warfare thoughts, along with rat-ta-tat fists to chillingly describe abuse both emotional and physical.
Kel, in the poem “Africa” describes the continent as a living, breathing human female, inhaling her warm earthy air. This poem puts a very personal face on one’s personal journey throughout the African landscape.
Mrs. F. conveys the love a mother has for her children in the poem “Earth and Angels.” Phrases like “He darts in dizzy zig zags…Listens wide-eyed, hoots at the owl” and “Head filled with fairies and music…She skips and sings” give us an intimate look at the special qualities that make our sons and daughters so special to us.
All the poems, whether short or lengthy, are very strong, and open to many interpretations. I don’t know how these poets came to their words. Sometimes a poem just comes to someone and easily flows out onto paper. Sometimes constructing a poem is like throwing a bunch of words into the air, and then constructing a poem using the scattered words. However the poems came to be in this book, they came through what Allen Ginsberg once called, “ordinary magic.”
Several short stories are also collected in The Little Red Book of Poe-ee-tree. When writing a short story, writers also face challenges. Writers need to grab the reader and tell a complete story in a short amount of words. And these stories have to be engaging, draw the reader in, and achieve a believable conclusion without seeming to be tacked on in haste.
This is expertly done in Laurie CK’s “Pennycake.” In this story, carefree memories of a 1970’s childhood are recalled with its birthday rituals and lazy summer days. The brief mentions of Noxzema, Keith Partridge, and 8-Track tapes give the reader a strong idea of a certain place in time. This story also evokes what it is like to be a child facing real life unexpected grief and a subsequent loss of faith.
The one quibble I do have with this book (and it is a minor one) is the limited amount of writers. I don’t know if this is because only a few writers were accepted or only a few writers chose to submit their work. This could also be because the Heart was a small group to begin with. If anything this book begs for a sequel.
I found this book at a Little Free Library near and I knew I just had to add it to my collection of craft-related books.
Creative Gift Wrapping by Public International, LTD has 40 fun and inspiring, not to mention beautiful gift wrapping projects for all occasions. Every project has easy to follow step by step instructions with accompanying photos.
This book also offers the basics on gift wrapping, gift wrapping resources and templates. A lot of the materials can be found at art and craft stores, thrift shops, dollar stores and maybe your own home.
The only negative is there is mention of online resources buts that’s probably because this book was published in 1991. A quick Google Search can remedy that situation.
A Japanese inspired obi tied belt I made out of two vintage men’s silk ties.
When it comes to liquor and libations Milwaukee-based food and drink writer Jeanette Hurt knows her stuff. So I was only too delighted to come across her book Drink Like a Woman: Shake, Stir, Conquer, Repeat.
Drink Like a Woman provides over 70 cocktail recipes and so much more. It goes beyond the fruity, sweet, pink and girly drinks like the Cosmopolitan popularized by Sex and the City to provide cocktail recipes for all kinds of palates and tastes.
After a foreward by Ann Tuennerman, founder of Tales of the Cocktail, Hurt share a few words on so-called “girly drinks,” in which she claims there are no “girly drinks.” Women like what they like and we don’t have to apologize for it.
But before we can make a cocktail we need to get our home bar together. Hurt provides a very thorough list of needed accessories like jiggers, muddlers, shakers, strainers, pourers and glasses to make your home bar top notch whether you’re new to the cocktail game or an experienced mixologist. And you don’t have to break the bank. Many of these items can be found at thrift stores, estate sales and rummage sales.
Okay, now we’re onto the fun part-the cocktail recipes, which are inspired by fierce femmes and our herstory, which spans from the 1600s to the modern age.
Chapter One, Witches and Bar Wenches covers the years 1600-1900, which celebrates the Revolutionary War, authors Jane Austen (Jane Austen’s Zombie) and the Bronte Sisters (Bronte’s Brew). You can also make a toast to trailblazers with drinks like Nellie Bly-Tai, Curie Royale and Amelia Takes Flight. That time of month? Ditch that Midol and enjoy a Monthly Medicinal instead.
Chapter Two, Votes for Women, Whiskey for All, covers the years 1900 to 1950. Drinks celebrate flappers with Flapper’s Firewater, Rosie the Riveter with Rosé the Riveter and the iconic artist Frida Kahlo with a Frida Kahlúa. Do you need a virgin cocktail for non-drinkers or those underage? Stir up it up with a Suzy B’s Virgin Voter, which honors Susan B Anthony, famous suffragette and a proponent of the temperance movement.
Chapter Three, Libations for the Liberated, covers the years 1950 to 2000. Pop culture icons like Mary Richards, Princess Leia and Buffy the Vampire Slayer get their own drinks (Bloody Mary Richards, Kissed by a Wookie, and Buffy’s Stake), feminism is in fine form with the Bra Burner, Sister Solidaritea, and the Gloria Stein’em.
Chapter Four, Stirring Up Cocktails and Shaking Up the World, covers the 2000s. You can also make a toast the LBD with The Little Black Dress, denounce manpslaining with Mansplainer Antidote and celebrate friendship with the BFF.
Drink Like a Woman also provides recipes for all kinds of syrup, the rules for creating creamy drinks, and hangover cures in case you indulge too much. And Drink Like a Woman also provides a list and brief bios of the ladies of liquor, the mavens of mixology who shared these cocktail recipes.
Drink Like a Woman is also a fun read for its quotations, lists of music and movies to love while enjoying your cocktails and Paige Clark’s charming illustrations. Drink Like a Woman is a welcome addition to any one’s book shelf whether one imbibes or does not.
Back in the day, I believe it was in the year 2006, when MySpace was still a thing and we were all friends of Tom, Jenna Fischer wrote a post on her MySpace page where she discussed the trials and tribulations she faced as an aspiring actor. Already well-known as the sweet and vulnerable Pam Beesly on The Office, Ms. Fischer’s MySpace post resonated with a lot of people, even people with no acting ambitions.
Now Fischer has turned that MySpace post into something more with her book The Actor’s Life: A Survival Guide that is at turns both a memoir of Jenna’s journey to acting success and a wise and practical primer for aspiring actors.
Fischer fell in love with acting and performing as a child. She took acting and dance classes and performed in both community and school productions, including acting as the Fiddler in Fiddler on the Roof, which must have been quite a challenge for a someone going to all-girls Catholic school.
After earning a degree in theater at Truman State University in Missouri, this St. Louis native packed her bags and headed out to Los Angeles. All Fischer had was her college diploma, a beat up car and some saved up cash. But she also had a big dream to make it as an actress in both television and in film. She thought it wouldn’t be long before she saw her name on the marquee of movie theaters or among the credits of a hit television show.
Boy, was she wrong. It took her eight years to finally become a success on The Office and in movies like Blades of Glory and Walk Hard: The Dewey Cox Story. And in that nearly decade long road, Fischer dealt with the good, bad and ugly of being an aspiring actor, which she isn’t afraid to share in The Actor’s Life.
When it comes to the survival guide, Fischer offers sound advice on getting the right headshot, getting into the film and television’s actor union SAG (Screen Actors Guild), and building one’s resume as an actor. She also advises on finding and keeping an agent and manager.
Fischer also discusses in detail the arduous auditioning process, the heartbreak, the glory, and how to keep going on.
Want to know what it’s like to be on the set as an extra, a bit player saying three lines in one scene, a guest star or part of the main cast? It’s not glamorous, but once you’re performing, you’re reminded why you chose acting as a vocation.
Of course, even once one makes it things don’t go smoothly. Pilots for TV shows don’t get picked up, shows get cancelled, speaking parts get edited out, a movie bombs at the box office even if you’re an established name. You may even get fired. Fischer was recently fired from a TV show. But it turned out to be a blessing in disguise. She’s now the star of the ABC show Splitting Up Together, which is filming its second season.
Interspersed throughout The Actor’s Life are Fischer’s tales of getting speaking parts on hit shows like Spin City and That 70’s Show, working less than desirable office gigs, falling apart at The Pottery Barn because she felt like such a loser, filming kissing and sex scenes, her wonderful relationship with her manager Naomi Odenkirk, and the dos and don’ts on how to behave on the set.
Fischer also discusses creating opportunities by generating DIY acting projects and how the iconic book The Artist’s Way helped her on her journey as did actor and friend Molly Shannon.
Within the pages of The Actor’s Life include inspirational quotes by a diverse collection of people-Einstein, Sheryl Sandburg, Marilyn Monroe, Jon Hamm and Debra Messing.
I enjoyed reading The Actor’s Life, starting with an introduction by Steve Carell who played the bumbling Michael Scott on The Office to Fischer’s loving acknowledgements to family, friends, and colleagues at the very end.
The Actor’s Life is honest, funny and wise. Fischer’s writing voice is empathetic, truthful and warm. It’s a must read, and not just for actors. I’m using it as a guide as I get my writing career back on track. I also think this book is ideal for teachers, guidance counselors, and college career centers.
It was The Office that made me a fan of Jenna Fischer and The Actor’s Life is one reason why I remain a fan.
Well that, and we both suffer from MCG-Midwestern Catholic Guilt.
“Much of the dysfunction and tension that exists in the workplace is the result of highly creative people’s needs not being met. If you step back and examine the patterns, you’ll find that a lot of bad behavior occurs when there is poor or inattentive leadership”-Todd Henry
And that, my fellow citizens of the Island of the Misfit Creatives is the gist of Toddy Henry’s practical, timely and eye-opening book Herding Tigers: Be the Leader That Creative People Want.
There is an idea that dealing and managing creative types is like managing cats, but Todd thinks that idea is insulting to creative types. No, it’s more like herding tigers-creative types are often brilliant, driven and need the proper environment to bring all their talents that provide results that satisfy management, clients and yes, creative types.
After a brief introduction, the book leads off with a chapter on what creative people need. It also dispels myths about creative types. These myths include concepts like creative types wanting full control to create and we’re obsessed with working on ideas that are considered “cool.” Creative types are totally insecure (when we aren’t being total egomaniacs). Creative types are flaky and flighty and lack analytical ability and business acumen.
Okay, we got the myths out of the way. But what do we need in the workplace? Creative people need both stability (clarity and protection) and challenge (permission and faith) to thrive in the workplace.
Now, this is easier said than done and Henry builds on this theory throughout Herding Tigers. After providing us a clear mantra on what creatives need. Herding Tigers divides itself into two distinct parts. The first part implores management to focus on its current mindset. In the second part Henry shares the mechanics when it comes to leading creative types for both established management and for those who go from being peers to management.
While reading Herding Tigers I kept nodding my head, thinking to myself, “Yes, someone who gets it!” I also felt a wee bit bereft because as a creative it is Henry’s idea of managing creatives, which has been missing the most in my life as a working creative. I’ve often felt misunderstood, caught up in feelings of lost, angry and stuck in places where I should have flourished. If I was queen of the world, every manager and every organization that relies on work by creative types, would be required by law to read this book and implement Henry’s wise, compassion and practical advice, concepts and checkpoints when handling me and my fellow tigers. And don’t worry managers of Tigers, Henry is also in your corner. He truly cares about all of us. (And to be honest, I think Herding Tigers is just a good management book even if you’re not leading creative types).
Herding Tigers is a book that I can imagine reading again and again. In fact, my copy is littered with little post-its, highlighting passages and ideas that I agree with or I find interesting and valuable. I’ve also written down Henry’s advice in a notebook to refer to again and again.
I highly recommend Toddy Henry’s Herding Tigers to both management and creatives. Creatives will recognize themselves and management will be enlightened by Henry’s timeless and timely book. Herding Tigers isn’t just one of the best books on leadership I have read this year; it just might be one of the best books leadership I’ve ever read.