Retro Review: The Bell Jar by Sylvia Plath

When the late Sylvia Plath’s novel The Bell Jar was released in 1963, it was considered groundbreaking. It focused on topics quite controversial just over 60 years ago, including ambition in young women in a time when women were supposed to desire only marriage and motherhood and dealing with horrifying mental health issues. Originally published under the name Victoria Lucas, Sylvia’s only novel is still considered a classic in the feminist canon. But how well does The Bell Jar hold up in 2024? I decided to read it and found out for myself.

Meet Esther Greenwood, raised in the Boston suburbs by her widowed mother, Esther is now in college, which is being funded by a wealthy local author. It is the summer of 1953, and Esther has procured an internship with the fictional women’s magazine “Ladies Day” in New York City. Though Esther’s days are filled with magazine-related activities, and her nights trying to socialize with her fellow interns, Esther feels disconnected and empty. She just can’t work up the excitement over this opportunity that most girls would give their eye teeth for. Esther is riddled with anxiety and depression. Can she shake out of this funk?

Several incidents occur during Esther’s internship that Plath goes into great detail to describe. Esther talks about the various assignments for “Ladies Day” the interns get to work on as well as the nice swag they all receive (not to mention the horrid food poisoning everyone gets at a luncheon). She also describes Esther trying to befriend her fellow interns like the flirtatious and sociable Doreen and the very pious and naïve Betsy, who Esther is more drawn towards. Esther also reminisces about the various scrapes she gets into when it comes to men, like when a local New York City radio host tries to seduce her, but later he decides to date Doreen. And towards the end of her internship, Esther is nearly raped at a country club party she attends with Doreen. Esther escapes but this causes her to throw out her new clothing and sends her further into despair.

After the internship ends, Esther returns to her childhood home. During this time, Esther is absolutely crushed when another scholarship opportunity, a writing course featuring a well-known author, does not come through. She is not accepted into this prestigious program. Esther tries to fill her time before school resumes in the fall by writing a novel. Yet, she thinks she lacks the life experience to write a proper book. And she also questions what her life will be like after she graduates from college. Up till then, Esther’s whole life has revolved around academics. Will she have a career or will so end up “just a wife and mother” as the fifties often dictated to women back then.

Esther continues to fall into deeper and deeper depression, not being able to sleep or attend to basic activities. She does see a psychiatrist for a while (whom she doesn’t exactly warm up to because she thinks he’s too handsome). And when this psychiatrist suggest electroconvulsive therapy, better known as ECT. The ECT doesn’t work, and Esther makes some half-hearted suicide attempt.

However, she does nearly die after she crawls into a cellar and takes far too many sleeping pills. When her mother can’t find Esther, it is assumed she has been kidnapped and possibly murdered, which the media takes note of. Once discovered, Esther spends time at several mental hospitals, the last one paid for by her college benefactor, the writer who is named Philomena Guinea. It is at this facility, Esther meets Dr. Nolan, a woman therapist, receives questionable treatments including insulin shots, and more ECT. She also meets another patient named Joan, and it is implied Joan is a lesbian who is attracted to Esther. Esther is not fond of Joan at all.

Esther also muses about her old boyfriend, Buddy. Buddy thinks the two might get married someday, but Esther won’t entertain the idea. Esther thinks Buddy is a hypocrite because he lost his virginity to another woman instead of staying pure for Esther. It is also found out that Joan also dated buddy (even though she may be heavily closeted).

During her sessions with Dr. Nolan, Esther bemoans the life women back then must lead and she wants to have the same freedom men have, which includes everything from having sex (Dr. Nolan suggest Esther be fitted with a diaphragm), and to have a full life outside of total domesticity. And as the The Bell Jar ends, Buddy visits Esther and wonders if he’s the cause of both Esther and Joan going crazy and ended up hospitalized. Perhaps he did have a part in it, but who cares? Esther is relieved when Buddy decides to end their non-engagement. Now she is free to really live.

While reading The Bell Jar, I could understand why it was so groundbreaking when it was published in 1963. It portrayed a young woman who had ambition beyond getting married and having oodles of children. It’s wonderful Esther is smart and has goals her life that don’t necessarily include marriage and motherhood solely. And as someone who has dealt with mental health issues, I appreciate a novel that spoke of one woman’s struggle and her fight to remedy herself.

However, in 2024, The Bell Jar just cuts different. For one thing, there is a lot of racism in this book. Esther talks about the ugliness of Peruvians and Aztecs. She also keeps referring to a Black orderly at the mental hospital as the Negro. He is never given a name or just referred to his profession as an orderly. Plus, I found Esther to be rather insufferable to the other women in the book whether it was her mother (who struggled greatly to raise her without Esther’s father) or looking down on a woman in the neighborhood who is raising a large brood of children.

Still, I do think The Bell Jar is an important work. Just keep in mind how things have changed since the fifties when it takes place, and in 1963, when it was published. And be grateful things have changed for women in the past sixty years…or have they? Hmm.

Book Review: Until September by Harker Jones

The staid 1950s are rapidly evolving into the upheaval of the 1960s. Kyle Ryan Quinn is 18 years old. And before he matriculates at Princeton, he’s spending the summer after his senior year in high school at his family’s island vacation home. Kyle’s close friends are also with him. His friends are experimenting with drugs and sex, and those things are opening up, Kyle is holding onto a deep secret. Kyle is gay.

Kyle then meets Jack Averill. Jack is reserved and bookish and beautiful. Kyle is instantly smitten. And when these two privileged young men finally meet, they strike up a quick friendship. They fall in love and their ardor cannot be extinguished.

Kyle and Jack’s love affair is quite passionate and yes, clandestine. They can’t let anyone know about their relationship. Even though people are becoming more open-minded when it comes to sex and sexuality, being gay is still considered something to be ashamed of and hidden.

As Kyle and Jack’s relationship intensifies, they wonder how their friends will react if they find out about the two of them. Kyle’s friends, who he has known since he was a child, have their own issues. One of them impregnates a local girl and convinces her to get an abortion only for this brief interlude to end tragically. And another friends is holding amorous feelings for Kyle.

And then there are Kyle and Jack’s families. How will their parents react if they find out? Kyle’s older brother has recently died and the truth about his relationship with Jack may break his parents’ hearts.

Kyle and Jack are soon found out, and the reaction isn’t positive. And just as soon as Jack has entered Kyle’s life, he disappears. Kyle goes on a mad search seeking out Jack. Will he find him, his true love?

Until September is riveting and written with tenderness and care. You truly feel for Kyle and Jack, and want their love to flourish. Now, I will mention that Until September isn’t written with numbered or titled chapters. Instead, it is written is segments, some several pages long, some only a few paragraphs. At first I found this to be a bit jarring, but after I got into the story it didn’t really matter.

Until September proves that first loves don’t always end in happily ever after, but they are potent, memorable, and shape us forever.

Book Review: Still Laughing-A Life in Comedy (From the Creator of “Laugh-In”) by George Schlatter as told to Jon Macks

The the iconic television show “Laugh-In” was a bit before my time, I knew the show was a classic and quite ground breaking. If it wasn’t for “Laugh-In” we might not have sketch comedy shows such as “Saturday Night Live,” “In Living Color,” and “Kids in the Hall.” “Laugh In” was created by George Schlatter. And now a youthful 93, Schlatter shares his story about “Laugh-In” and so much more in his memoir Still Laughing: A Life in Comedy from the Creator of “Laugh-In” as told to Jon Macks.

Before “Laugh-In” Schlatter started his show business career in one of the most Hollywood clichéd ways. He started out working in the mailroom at MCA in 1948. Sure, it was pretty low level, but not exactly boring, and Schlatter was able to work his way up. In fact, one of Schlatter’s first brushes with fame was when he met Frank Sinatra over a contract. What did old blue eyes say to the then very young Schlatter? “I have ties older than you.” Despite the age difference, Schlatter and Sinatra forged a strong friendship and worked on other show biz endeavors. In fact, Schlatter was asked to give an eulogy at Sinatra’s funeral.

Schlatter can also be credited with creating the Las Vegas lounge act and recalls working with some pretty unsavory mob characters while managing nightclubs and casinos. Through his work in Las Vegas, Schlatter was able to morph into working for television shows working with the greats like Lucille Ball and Judy Garland. Doing this work, producing shows and massaging the egos of the talent was a great education for Schlatter.

But of course, it is the “Laugh-In” that is one of Schlatter’s greatest achievements. It was 1967 when Schlatter came up with the idea of a comedy sketch show that was inspired by the hippie counter culture of the late sixties. Back then, sit-ins, be-ins, and love-ins were very popular, thus the name “Laugh-In.” “Laugh-In” manifested the social issues, politics, and sexual revolutions of that time, and gave all those things a comic twist.

“Laugh-In” became a huge hit. If the internet had existed back then people would have discussed it on social media and would have created blogs and fan pages about the show. “Laugh-In” launched the careers of mega watt stars like Lily Tomlin and Goldie Hawn (who provide the foreward and the afterword respectively in the book). The “Laugh-In” cast was a rag tag bunch of talented and funny people who made TV watchers across America laugh themselves silly. “Laugh-In” gave us such quotable lines like “Sock it to me!” Even President Richard Nixon spoke that famous line. Back then, having a politician on an entertaining TV show was quite revolutionary. Now it it seems to be mandatory that a Presidential candidate, whether a Democrat of a Republican, show up on a show like “Saturday Night Live.”

Schlatter gives us all the details on everything creating and producing “Laugh-In.” He describes auditioning the potential cast members to how he got a bare nipple past the censors. And “Laugh-In” was actual called “Rowan and Martin’s Laugh-In.” Why? Well, back then Dan Rowan and Dick Martin were huge comedy stars and having celebrity names attached to the show would grab more viewers. It worked. And Schlatter spills some tea. Rowan and Martin hated each other.

“Laugh-In” wasn’t Schlatter’s only television baby. He also created the show “Real People.” “Real People” was probably one of the first reality TV shows. But instead of featuring bachelors and bachelorettes or real housewives ripping out each other’s hair extensions, “Real People” featured people who actually contributed to society like the Tuskegee Airman. I loved watching “Real People” as a kid, and by reading Still Laughing, I found out host Sarah Purcell wasn’t quite as prim as she appeared. As for another host, Byron Allen, whatever happened to him? I kid, I kid.

One continuous character in Schlatter’s life is is devoted and gorgeous wife, Jolene. Where many men in Hollywood are on their third, fourth, or fifth marriage, George and Jolene remain a true blue couple. I adored reading about their love story.

Still Laughing was a tremendous read. I loved all the name dropping and the inside of scoop of show business, working with celebrities, and creating iconic television shows. I’m so glad we still have a George Schlatter in our midst. His stories, and the stories of other old school TV greats who are still with us (Carol Burnett, Norman Lear, Dick Van Dyke) are so important. Still Laughing is an enlightening and fascinating read for anyone with memories of shows like “Laugh-In” or anyone interested in pop culture history.

Book Review: Mrs. Everything by Jennifer Weiner

In Jennifer Weiners expansive novel Mrs. Everything, she tells the intricate tale of two very different sisters and their lives change, diverge, and merge together from the staid and sober 1950s through the upheaval of the 1960s and 1970s and onto the modern day.

Meet the Kaufman sisters, Josette (Jo) and Elizabeth (Bethie). Despite being related, Joe and Bethie couldn’t be any more dissimilar. Jo is a tomboy who loves to tell wild tales and dreams of travel and adventure. Bethie is pretty and charming. She loves singing and acting in both school and temple productions, and seems destined to be the proper wife and mother.

But as they grow older and come of age, Jo and Bethie’s lives take completely contradictory paths. Jo gets married, has three girls, and tries to be the proper and contented suburban housewife. Meanwhile, Bethie goes off the rails, gets involved in the counterculture, and ends up living in a commune.

Jo and Bethie’s story begins in the 1950s where they are being raised by their widowed mother in Detroit. Both have deep, dark secrets. Jo is a lesbian and she is trying desperately to keep this hidden. And Bethie is being molested by a very sleazy uncle.

It’s when both girls go to college their lives take unexpected twists and turns. Jo has an affair with the love of her life, Shelly, who later breaks Jo’s heart when she marries a man. Jo gets involved in the civil rights movement and other social issues. After graduation, she wants to be a world traveler. Bethie, on the other hand, finds flirting and having a boyfriend more important than studying and getting good grades. And she becomes quite the campus party girl.

But tragedy hits Bethie when she is brutally raped and ends up pregnant. Jo, who is now traveling overseas, cuts her vacation short, comes back to the States, and helps Bethie procure an illegal abortion. This becomes a secret that must remain only with the sisters.

As the 1960s turn into the 1970s, the Kaufman sisters’ live take on more disparate turns. Despite being gay, Jo marries a man, has three daughters, and struggles to find contentment in suburbia. Bethie is fully entrenched in the counterculture, belongs to a commune, but finds success selling homemade jam.

The go-go yuppie 1980s arrive, and both Jo and Bethie discover they have an entrepreneurial spirit. Jo has started teaching the neighborhood ladies fitness routines and aerobics. Bethie goes from the counterculture to boss babe when her jam making business takes off.

Jo and Bethie’s personal lives also go through some changes. Jo finds out her husband is cheating on her with one of her (former) best friends, and goes through a very messy divorce. And Bethie finally settles down with an old high school friend. However, she and her husband do face some hostility due to Bethie being white and Jewish, and her husband being Black and the son of a preacher.

As the 1990s and the 21st century come around, the Kaufman sisters are still facing challenges but all come to grips with their lives and the women they have become. Jo may even find love again with someone from her past, and Bethie’s marriage is in it for the long haul.

For the most part, I appreciated how Weiner captured the changing lives of women from the 1950s to the modern age through the lives of Jo and Bethie. However, I do have one quibble. The section that takes place when both sisters are at college was really off. I wasn’t around in 1962, but I hardly think boys back then were wearing their hair past their shoulders, girls were adorned in hippie-like outfits, people were protesting the Vietnam War, and hard drugs ran rampant. These scenarios seemed more out of the late 1960s, than the early 1960s. This was a glaring misstep on Weiner’s part.

Still, Mrs. Everything is a very engrossing read with two very fascinating characters.

Retro Review: Memoirs of an Ex-Prom Queen by Alix Kates Shulman

When Alix Kates Shulman’s 1972 novel came out it was considered shocking and groundbreaking. It covered topics women coming of age in the mid-20th century weren’t supposed to talk about, let alone experience. These topics included premarital sex, adultery, abortion, and divorce. Though shocking over 50 years ago, Memoirs of an Ex-Prom Queen is thought in some circles to be a feminist classic. Intrigued, I decided to read Memoirs of an Ex-Prom Queen, and try to figure out why it’s so cherished among some readers.

Meet Sasha Davis. She is coming of age in Ohio during the 1950s and 1960s. She growing up in Ohio, and lives a very comfortable middle class suburb, and is beloved by her parents. For young Sasha, being beautiful and attracting a man is of utmost importance. Fortunately, she’s pretty and popular. She is at no loss finding suitors, and when she is crowned queen at the dance, Sasha feels she’s reached the the highest of heights.

After high school graduation, Sasha goes to college. Having lost her virginity to a high school boyfriend, Sasha has her fair share of lovers, including a much older and married professor. There are times Sasha acts as if the professor’s wife is a mere nuisance, not the one who is actually being cheated on.

Sasha marries her first husband, but marriage does not fulfill her in the way she wants and she cheats on him continuously. After their divorce, she marries once again, and on the surface things look great, especially after Sasha has two daughters and tries to play the contented housewife. But looks can be deceiving, and despite having a loving new husband and two healthy and happy little girls, you get the idea that something is amiss in Sasha’s life. And you wonder if this marriage will also end up in divorce, especially when Sasha’s best friend from college, Roxanne, leaves her husband (they “had” to get married because Roxanne was pregnant and it was still a time of shotgun weddings and legal abortions).

Sasha is no dummy. She’s educated and curious, and fortunately lives in New York City where she has access to museums, libraries and other intellectual pursuits. Still, being beautiful and having a man is of utmost importance to her, no matter how poorly some guy may treat her or how less than enthused she was by a lover.

For the most part, I liked Memoirs of an Ex-Prom Queen. Kates Shulman is a very detailed writer of a time I only know from history books and binge watching “Mad Man.” Kates Shulman is quite thorough of a time when women were only supposed to aspire to be devoted wives and mothers in pursuit of that perfect pot roast recipe. Things like divorce, pre-marital sex, adultery, STDs, and back alley abortions were talked about in hushed tones if at all. But all of these things are covered thoroughly in Memoirs of an Ex-Prom Queen. And though Sasha is quite the flawed protagonist and doesn’t seem to show a lot of growth from her teen years to her thirties, you can understand why this book was so damn shocking when it was released just over 50 years ago. Though I don’t think Memoirs of an Ex-Prom Queen is the feminist achievement some people have claimed it to be, I do think it’s an important book that captures a zeitgeist of some women of that time period.

Funny Girl by Nick Hornby

In Nick Hornby’s novel Funny Girl (not at all related to the musical and movie of the same name), Barbara Parker has just been crowned Miss Blackpool. But the tiara won’t stay on her head for long. Instead of being a beauty queen, Barbara wants to be a famous comedic actress like her idol Lucille Ball. But this isn’t going to happen in a town in north England in 1964.

Rejecting the crown and the title, Barbara leaves Blackpool and moves to London where everything is happening and she hopes she’ll become a successful and famous actress, the British Lucille Ball. Barbara soon gets a job at a department store cosmetics counter (where the store always puts the pretty girls) and lives with one of her co-workers, Marjorie, in a dumpy bedsit.

Being the gorgeous lass she is, Barbara gets a lot of attention. And during a night on the town, Barbara meets talent agent Brian Debenham. Don’t worry. Brian isn’t some sleazebag with nefarious designs on Barbara. He’s truly legit.

Proving to be more than a pretty face, Barbara convinces Brian she has the talent and drive to be a comedic actress. Barbara auditions for a sitcom that ultimately gets named Barbara (and Jim). She is cast as Barbara and her name is changed to Sophie Straw. And we learn making a sitcom is no easy task. The writers, Tony and Bill, agonize over the scripts like its brain surgery.

Barbara (and Jim) becomes a huge hit and Sophie becomes a big star. The media wants to interview her, women want to be her, and men want to get into her knickers. Sophie even gets engaged to her co-star, Clive, though it’s not meant to be. But don’t fret. Sophie does find love, and has a long marriage. She also tries to prove herself as an actress and a women at a time just before second wave feminism. And as Funny Girl ends, Sophie is older and considered an icon of British television.

Funny Girl also conveys England changing from the staid, uptight post-war 1950s to the more fun, adventurous swinging 1960s. The Beatles and the Rolling Stones are name dropped. The sexual revolution is gaining steam, but homosexuality is still considered a crime. Some gay men do marry women and have children and others are on the downlow having secretive trysts.

Nick Hornby is usually a writer that delivers. His books High Fidelity and About a Boy are classics. But Funny Girl just falls flat. Hornby does the writerly sin of telling not showing. We are told Barbara/Sophie is a laugh riot, but I barely got a chuckle out of this book, let alone a full belly laugh. Funny Girl promised so much yet doesn’t deliver. You’re better off watching the 1968 film Funny Girl featuring another Barbra, Barbra Streisand.