Reading to Reels: A Place in the Sun

In the drama A Place in the Sun, Montgomery Clift plays George Eastman. Though related to a rich industrialist named Charles Eastman, George is looked down upon because his family is poor. Still, that doesn’t stop him from taking a job in his uncle’s factory. George hopes his work ethic will impress his uncle so he can work his way up, and also work his way into his uncle’s upper crust world.

Though dating co-workers is strictly verboten, George starts dating fellow factory worker Alice Tripp (Shelly Winters). Alice is plain-looking and poor but truly smitten by George and his connections to his wealthy uncle even though George’s connections seem to be in name only.

Despite dating Alice, George falls in love with Angela Vickers (Elizabeth Taylor in her first adult role) after meeting her at a party. Angela is not only beautiful she is also from a wealthy family. Dating Angela brings George closer to the upper crust world he always desired.

However, Alice is hardly out of the picture, and it isn’t before long she announces she is pregnant with George’s child. She believes this will prompt George to marry her. Not surprisingly, George is not happy with this idea, especially since he is in love with Angela. He tells Alice to have an abortion but she refuses. She figures since George is getting closer to his uncle’s world of wealth, he’ll have no problem supporting a wife and child.

Alice soon sees a newspaper of photo of George and Angela and realizes he is cheating on her. Alice confronts George, threatening to tell everyone about what is going on between them and about the pregnancy. He better marry her or else

To save face, George takes Alice to the local city hall for a quick elopement. However, it is Labor Day week-end and city hall is closed. Instead of ditching Alice, George convinces her they should visit a nearby lake. Not quite realizing what George has in mind, Alice agrees.

While renting a boat under a false name, George acts nervous. Finding out there are no people on the lake George thinks this might be a good time to murder Alice and dispose of her body. With Alice out of the picture George is free to continue dating Angela and free from marrying Alice.

However, once Alice tells George how excited she is about their future and the upcoming birth of their child. George has a change of heart. He can’t murder Alice. He must do the right thing and marry her. But when Alice stands up in the boat, the boat capsizes, and Alice does drown.

George, however, is safe, and he swims to shore. He goes to Angela’s family lake home and struggles to keep the story of Alice’s drowning a secret. But before long Alice’s body is discovered, her drowning is ruled a homicide.

With a great deal of evidence stacked against him George is arrested for Angela’s death. This happens just as George is going to ask for Angela’s hand in marriage.

Though George is innocent, the evidence is overwhelming. He tries to explain what lead up to Alice’s accidental drowning, but the prosecutor (Raymond Burr) aggressively pulls apart George’s testimony. The prosecutor convinces the jury that George committed first degree murder and the jury finds him guilty. George is sentenced to the electric chair.

As George faces his last days he pours his heart out in a letter to Angela. He claims he did not kill Alice but her drowning was perhaps his only way to leave his poor, underprivileged past behind and start fresh with Angela.

A Place in the Sun is lushly filmed in black and white, and its romantic scenes are unbelievably passionate and erotic. Elizabeth Taylor’s beauty is beyond compare and she and Montgomery Clift have electric chemistry that leaps off the screen. A Place in the Sun was nominated for nine Oscars and won six, including a best director Oscar for George Stevens.

Based on the Theodore Dreiser novel, An American Tragedy, A Place in the Sun highlights the huge gap between rich and poor, even among family members. It also conveys how one’s ambitious desires, and obsession with money and status can make people consider doing horrible things. A Place in the Sun also shows how people can be victims and victimize others.

Reading to Reels: The Heiress

Directed by William Wyler and based on the Henry James novel, Washington Square, The Heiress is a drama that examines the issues of love, revenge, heartbreak, mental cruelty, wealth and class. And it does in a way that makes you think how people’s lives could be different if they were born in another time or place.

Olivia de Havilland plays Catherine Sloper, the daughter of a wealthy doctor, played by Sir Ralph Richardson. Catherine’s mother died giving birth to her, and Dr. Sloper seemingly blames Catherine for his beautiful wife’s death. Catherine, on the other hand, is plain and awkward, and her father never fails to let her know what a disappointment she is to him.

Catherine seems to be destined to live her gilded cage as a lonely spinster when Morris Townsend (Montgomery Clift) comes along. Morris is handsome and dashing. He charms Catherine and lavishes loving attention on her that she never received from her father. Catherine gains confidence and begins to bloom as Morris courts her. However, Morris is penniless, and Dr. Sloper believes he’s only with Catherine to gain access to her inheritance. He can’t imagine anyone being interested in his daughter beyond her money.

Morris asks for Catherine’s hand in marriage, telling her they can elope. But Dr. Sloper tells Catherine if she marries Morris he will disinherit her and there is no way Morris can support her. Catherine doesn’t care. She’s convinced Morris truly loves her, not her potential inheritance. Morris finds out but claims it doesn’t matter whether Catherine gets her father’s money or not. They will marry.

Catherine awaits for Morris to whisk her away and marry her. But he disappears, breaking her heart. Catherine hopes her father will show her some kind of compassion. Instead, he cuts her down with vicious remarks. Catherine tells her father she would have married Morris even if all he cared about was her inheritance. After all, being loved for one’s money is better than being not loved at all.

Time passes, and Catherine’s heart hardens Her father dies, and leaves her his entire estate. Years later, Morris returns. He went to California intent on making his fortune but comes back to New York making nothing of his life. Still, he professes his love for Catherine. He tells her he only left because he knew losing her inheritance would leave her destitute. Catherine says she forgives him. She also claims she wants to marry him. But is she telling the truth?

Morris comes back that night and that’s when Catherine gets her revenge. She was not sincere in her forgiveness. Coldly, she tells her maid to bolt the door as Morris knocks and knocks, shouting her name. Catherine’s aunt is appalled by Catherine’s behavior, bemoaning her cruelty towards Morris. Catherine turns to her and says, “I have been taught by masters.” Is she wiser or is she bitter? Perhaps she is both. The film fades with Morris still shouting Catherine’s name as she walks up a staircase.

Olivia de Havilland (who won an Oscar for this role) is brilliant as Catherine naturally conveying Catherine’s transformation from victim to victimizer. Montgomery Clift is so beautiful he takes your breath away. He’s also very adept at being a charming manipulator. You’re not surprised Catherine is drawn to him even though you want her to keep him at arm’s length. Sir Ralph Richardson is chilling as Dr. Sloper, yet you also understand he wants to protect his daughter of Morris’ less than sincere intentions.

While watching The Heiress I kept wondering how Catherine’s life could have been different if she had been born in another time. She could have earned a college education, struck out on her own and had some semblance of independence. She could gain confidence and learn to love herself, and maybe, just maybe, attract the right kind of man. Money is wonderful, but it’s not everything, and Catherine proves one can be surrounded by luxury yet be emotionally and mentally impoverished.