I became a fan of Roxane Gay when I first saw her speak at Boswell Book Company about her book, the part memoir/part assortment of essays, Bad Feminist. Bad Feminist blew me away so when I found her latest release, a collection of short stories called Difficult Women, I just knew I had to read it. I hoped Gay’s singular voice in writing non-fiction would translate into writing fiction.

I am glad to say I am not disappointed. Gay is a writer who fully recognizes the complex lives of women’s truth, from the most of grand experiences to the tiny minutiae that make of their daily lives (and ours). Some live in impressive privilege and others dreary lives of poverty.

Difficult Women is made of 21 stories, dissimilar yet fully connected. The opening chapter “I Will Follow” is about two sisters who were abducted as children and experienced deplorable acts. The sisters’ past makes them eerily, yet touching connected well into adulthood as they follow each other all over the country. Even though these sisters (by society’s standards) should have staked out their own separate lives, I understood how this might be nearly impossible for them.

The title story “Difficult Women” Gay defines “loose,” “frigid,” “crazy” women along with mothers and dead girls through vividly written definitions and descriptions:

Just what does a loose woman see when she sees herself in a mirror? “Nothing. She doesn’t look. She doesn’t need to. She knows exactly who she is.”

Where does a frigid women go at night? “There are places for people with secrets and she has secrets, so many of them that sometimes they threaten to choke her. She goes to the places for people with secrets for people with secrets and there she waits.”

What happens when crazy women snap? “She is sitting at her desk, working late, when her boss hulks his way into her office, sitting too close, on the edge of her desk, taking up space in the way men do. He stares down her blouse and it’s the presumption in the way he doesn’t hide his interest that makes her hold the sharp letter opener in the cool of her hand.”

As for mothers? Well, mothers can only be described in their roles as mothers on from what she sees in her child’s face to how she loves.

Dead girls, you are now wondering? What about them? Well, they are dead. How do you define them? Are they more interesting? Do you find them beautiful?

Another story I adored is Gay’s fable-like “Requiem for a Glass Heart.” In this story the wife is made entirely of glass, her husband is fully-human. The glass wife is smooth, hairless, and transparent. Day after day she takes care of child also made of glass. The husband has matted chest hair and calloused hands who earns his money as a stone thrower. He also has a mistress on the side, one made fully of flesh and blood. Does the glass wife know about the mistress? She just might. Perhaps being made of glass doesn’t quite this woman as transparent as she may initially seem….

Other stories are complete stand-outs—“North Country,” “Bad Priest,” and “Best Features” quickly come to mind. But to be honest, every single story in Difficult Women is so remarkable that choosing a favorite is quite, well, difficult.

As I came to Difficult Women’s close, I found myself not only thinking of Gay’s voice as a visionary writer, but how these stories played out like mini-movies in my mind’s eye. Difficult Women would make for a great TV series, perhaps all the stories adapted by female screenwriters and directed by female directors. Or maybe in an interesting twist, some stories adapted by male screen writers and directed by male directors.

But alas, Difficult Women is for now, is a book, one I implore difficult women everywhere (and the beguiled men who love them) to read.

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